Summer Remembrance: The Negro Traveler Green Book

“Negro Traveler’s Green Book” piece for a Juneteenth show. This one is more of a tribute than artistic endeavor. I used burlap on one corner to house the Jim Crow signage and subliminally speak to transitioning from Country-to-City life. These are family and found photos. The narrative is my original piece and not an actual slogan used in the publication.

Do you remember this necessary travel guide? It was published 1936-1967 for the whole Country and abroad.

I’m available to show and/exhibit any one of three fabric art series. Leave me a comment with your interest.

 

First Place Award…

I’ve won a First Place Award at the Ft Worth juried art exhibition for Juneteenth! More in a minute! Tarrant County Community College South Campus is located at 820 & 3501 Campus Dr in Fort Worth, TX.  This is a juried art exhibition celebrating freedoms gained on Juneteenth and the abolition of enslavement. My fabric Art piece celebrates the freedom to serve in the Military. Charles Young was the 3rd Black Graduate of West Point’s Military Academy, the First African-American to earn Colonel and the first African-American Superintendent of Public Lands. He was born into slavery so I titled my piece “To Whom much is Given…”

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March Exhibit Alert

It is already a great start to 2019 with fabric art placements already in January, February March and April. This marks my March exhibition participation and I’m grateful to Dr. Carolyn L. Mazloomi for choosing my piece, “To Whom Much is Given, Much is Required”.

Exhibition opening March 16, 2019 at the National Afro-American Museum in Wilberforce, OH. Book available on Amazon and in book stores early March.

Miss You Much

http://www.loc.gov/pictures/collection/fsa/l

audio:Miss You Much

Miss You Much

sometimes
I miss you so much that
I retrace every other mere woman and girl back thru my heart
I recall the error of their kiss    the yielding moment of their last breath into my mouth
I recant all of those restless declarations of love
I slit my tongue.    I weep.   I moan.   I return to a fetal pose.  I re-die to them.

sometimes
when I am unable to lay your old touch asunder
when there is so much of you in the air that I breath in sips and get dizzy
when a fever rages in my bones  as though I am leaving my own flesh
when so much of what I want is found in stories of moments with you
I slit my tongue.  I weep.  I moan.  I return to a fetal pose.

sometimes
the most pleasure that I can manage is the remembrance of your “yes”
the chime of my mantle clock gathers me back to when you stood bare at the fire
the ring tone for you on someone else’s phone revives your first,  “Hey, Babe”
the way that I try to love others makes them cower and leap from my bed
I slit my tongue.  I weep.  I moan.

sometimes
well past bedtime I do not lay still against your long absence from my life
well beyond my reach   your laughter rides every gust of wind until it reaches my heart
well after I am soaked and awash in tears and aloneness    I apologize …again
well into the days of living on without you    the thought is foolishness to my soul
I slit my tongue.   I weep.

sometimes
there is everything and nothing left to say between us
there is my hand on the phone   with your number dialed  and knowing that you are waiting
there is every little thing bringing me back to my side of town   there is your darkened door
there is the distance being closed by looking at our pictures on my screen
I slit my tongue…

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Jas. Mardis
(8/6/2015)

Jas. Mardis is 2014 Inductee to The Texas Literary Hall of Fame and is the Editor of KenteCloth: Southwest Voices of the African Diaspora (UNT Press) and a Pushcart Prize winner for Poetry.