FaceTime Fishing with My Daughter

     On my birthday, a sunny Tuesday with dry air and heat rising early from the chalky, broken earth and dusty, defeated blades of Texas grass, my daughter calls me through the Face Time app and forgets to be kind. In the beautiful morning heat, before the insects are hungry and the breezes are boldly rolling across the top water of this city lake, I am shirtless in a pair of thin brown overalls with thick, black straps, plastic guides, large, round snaps and a brass zipper that triggers her laughter. “Hey, Ol’ Man…where yo clothes at?”

"Lying Thru His Nose" $500
“Lying Thru His Nose”

      I am using a mesh wrist phone carrier that she gifted me on a previous birthday, with a touch sensitive plastic screen and Velcro wrap, so the laughter that follows her question gets lost in the flick of my wrist that casts my fishing lure toward a sudden ripple in the lake and near the bank. My daughter is a graduate of the University of Arkansas at Pine Bluff Fisheries Program. As the line races out from the reel her view on the wrist strapped phone is of the lure pulling fishing line through the eyelets before skidding into a glass-like top water with sunlight and blue sky on the horizon. Her laughter shifts into awe as I bring the rod into submission and tighten the line as the lure bobs and rests in place. She says, “Geez, Pops. Smooth”. I turn my wrist to see her face and say, “Took off my shirt to attract some largemouth girl bass”.

     She is living in Missouri, not Texas or Arkansas or Louisiana or on a cruise ship, like a few of her classmates who use their fisheries knowledge to manage large aquariums or Sea World populations. She’s landlocked and there are few expanses of water to ply her skills. It also gets cold with ice and real snow with tall banks and tumbleweed-like clusters of cold debris-balls and some weird activity known as, Ice Fishing. So, catching me on a truly sun-drenched lake with action shots makes this more of a birthday gift for her.

“Pops, you’re reeling too fast. I don’t think the bass have seen Speed Racer!”

“You gotta use a five-count on your retrieve, Ol’ Man.”

“Are you using 4:1 reel? That looks too slow for a top water lure! Invest in your sport, Dude! Get a 7:1 gear ratio reel if you want to actually catch big bass, Pops!”

“Lord, Pops…are you still using that Abu Garcia from when I was a kid?”

These are rhetorical and she is not anticipating a reply.  I retrieve and cast again toward a ribbon of lake with overhanging tree branches and tufts of wild grass. She orders,

”Twist the wrist band so I can see your retrieve”

“Hold your elbow higher, Pops…!”

“That’s too high. You won’t have any leverage to set the hook!”

“You’re gonna have to retrieve fast with that old reel, Pops…Twitch it…snap your wrist!”

“Look at the clouds on the water…WOW…beautiful…I miss Texas”

“Do you have a Texas Rig set up?”  I tell her yes. She says, “Are you fishing a 7 or 10 inch work?” I say, big bait, big fish and she responds, “Whatever, Ol’ Man”.

When I switch to the worm combo I show her the setup and brace for what I know is coming. When she was a kid and learning to fish I had a large fish on the line that breached when I reached for it and slapped me in the face. I leapt back to avoid any chance of the hook snagging me, but that fish continued to thrash and before returning to the water had slapped my chest, then tail-whipped and danced down my forearm; knocking my rod combo from my hand. The hook dislodged and the fish escaped with my combo quickly following it further into the lake.

Hey, Ol’ Man, try not to lose the rod and reel this time!”

I don’t.

When I cast again into the grassy area at the bank she is quiet. There is a plop of water circling back into the air as the large worm, with a quarter ounce of weight atop it replaces it.

She adds, “Just like Michael Phelps” and is silent again.

We both wait for a pull of the fishing line through the rod’s eyelets to indicate the rate of fall for the worm. I feel the rumble of the quarter ounce weight against the rough wall of rocks and dirt and roots. She sees the thin waxed, braided thread of line as it loops through the ringed eyelets. I catch a hanging sensation suddenly causing a lag in the line and know that the hooked worm has hit the bottom and know that she is seeing the line hesitate for a brief second in her view. We both know that the line weight has been halted, most likely be a root or rock, and created a natural-looking wiggle in the curly tail of the lure as it lands on the lake bottom.

She guides me, “Twitch it, Pop…” Her command is nearly silent. It is the same pitch and hammer that she wants me to use with the tip of the rod at this moment. I agree with her and give the six foot long rod a whisper of a wavering shudder…and feel a sliding tug on the fishing line as the weight shifts into a slide and pull on the line and finds the tied off top of the hook. We know that this is the action which triggers the hunting fish to strike. The hammering fall of the weight on the top of the hook creates vibration and gives the sense that the worm is on the move.

When she chuckles, “Humph” it is with the knowledge that a strike is imminent and there is an immediate thump echoing through the line and rod that is familiar and wanted and taunting! A Bass Strike! 

I stiffen the rod and the line tightens into a tug of the hook bearing witness through the rubbery flesh of the ten inch, watermelon red, speckled, ribbed worm and into the hard, snapping mouth of predatory fish. My daughter does not laugh or scream or bother the familiar moment. I rear back on the rod and fast retrieve the line by turning the handle with fact and harried rotations of the red handled reel. There is all the force and grit of muscled-up surprise gnawing through the line and causing the six foot rod to curl and the line to ping…ping…whine into the morning air. I shudder every time this moment is upon me. It is a mystery that is solvable, but not immediately: I weigh two hundred and forty-seven pounds; the fish is likely three or four pounds and the gear is designed to handle something akin to thirty pounds. But, in this first moment, the fish is in the lake and that feels like I am pulling away at a man through a rope that is fixed around his waist and he is tied to a tree.

But, she returns…

“If you’re done flexing for the other fishermen, maybe you could land the fish, Ol’ Man” comes through the speaker and I look to my wrist to see her shaking head. “You are just a shirtless, HAM”. When I am able to land the behemoth it is nearly four pounds. I show her the fish and she applauds before leaving me for life in Missouri. “Happy Birthday, Pops!”

Jas Mardis is a 2014 Inductee to the Texas Literary Hall Of Fame and an Artist. The facts of the story are true…except that the Largemouth Bass was later weighed and found to be a cousin of Moby Dick and broke the scale. Happier Birthday.

My Brother Thinks I’m A Scaredy Cat

I’m still not sure what the boy’s name means. It comes up every now and again and caused a fight with my Wife when we were pregnant. I was rubbing her feet and saying beautiful, sexy, married people stuff to her, then she asked for the baby name book. “I wonder if there are any good boy names that begin with “O”? Hand me the book, babe”. Immediately my heart rushed to a heavy thumping miss timed jumble of thoughts, grade school fights and a memory of the day that Otha and his older brothers came rushing toward me and my little brother from an alley. Even as a third grade kid that boy was strange and hit-a-tree ugly. Seriously, we were in grade school and this boy had acne and bad teeth that grew into fangs across the front of his mouth. I had never told her about his fanged ass, but I knew, as fate is the most hateful declaration in the life of a man with a secret, she would turn straight to “Otha” and declare it the most beautiful name she’d ever heard. So, I got up from rubbing her feet lovingly; found the book on her side table in the bedroom, then threw the book out of the open apartment window.

In Third Grade, my Teacher, Miss Ruth Henderson loved me like a Mama. Because I could already read the simple word-calling books that she had to teach from, she often let me show the other kids how easy it was to say the words and use the pictures to make it all make sense. “James Chris is going to read for the class. Go ahead James Chris” she would say when the bell was about to ring and she needed to waste a few minutes before releasing us to lunch or recess. Soon the bell would ring and the circle of kids would push back our chairs and line up at the door to twenty minutes of freedom outside.

Once outside we were bound by the Hurricane Fence that demarked the school ground in the Oak Cliff section of our town. The name was right on point as beyond the fence line was a cliff-like descent of the ground into an oak tree-lined area that fell into a series of creeks and water run-offs for the neighborhood. Nearest the school was a lush grounds used as play and picnic areas by the residents as it flattened out before becoming a rock-strewn bank and creek. For us kids, wild with play on our hearts, the only rule that Miss Ruth Henderson gave was to keep the balls inside the fence.

That Otha boy had older brothers who taught him things that the rest of us wouldn’t learn until puberty or prison. On the playground he was a hard case and used football moves during dodge ball games when the rest of the boys were just trying to have fun. He had already been blocked from playing for doing a clothesline move on Gary Brown and throwing a body block on another kid. So, when Miss Ruth Henderson blew the whistle for the class to line up and go back to class, Otha saw the unattended red freckled dodge ball and kicked it as hard as he could. Everybody turned around from the line and watched it lift just over the four foot high fence towards the creek.

Miss Ruth Henderson waddled over to Otha and pinched his ear with one of her death twist-pinches that she only used on him. “Boy! What is wrong with you?”, she hissed. Turning to me she said, “James Chris, take this fool and go find that ball!”, then pushed Otha into action. I ran. Otha ran. At the fence I stopped and put my toe into the diamond, but Otha jumped and summer-saulted the fence. I was still putting my other foot on top of the rail when Otha landed, hop-skipped and vaulted back into the air without stumbling on the declining earth. When I landed on the other side of the fence I watched as he sped like a demon into the line of trees where he assumed the ball had settled. From the top of the decline I spotted the familiar red ball wedged in the crook of a low hanging branch.

I walked the few yards over to the branch and jumped until I swatted it free, then yelled to Otha that I had found it. He didn’t come right away so I walked back up to the fence and showed the ball to the Class, who Miss Ruth Henderson then guided back inside, saying, “Get that boy and come inside”. When I looked back for Otha he was just a few steps away and reaching for the ball sneering, “I found it! Give it here!”, then threw a straight punch into my right eye. I had moved the ball away from him in a reflex, so when he hit me, the ball fell over the fence on the school’s side. Now, the two of us were immediately throwing punches. I knew how to fight big boys from when they messed with my older sisters. Otha knew how to fight from his older brothers. I was bigger. Otha was quicker. From behind us Miss Ruth Henderson cursed and screamed for us to “stop”. Otha hit me seven times in the same eye before she and another grown up reached us. I managed two hard punches into Otha’s breadbasket. He stopped hitting me and fell to his knees. I saw that with my left eye.

In the Assistant Principal’s Office Otha’s lie about finding the ball and me taking it from him easily fell apart. The whole Class had seen me show it and him nowhere in sight. I was sent to Nurse’s office across the hall for an ice pack and soon heard Otha’s punishment being meted out. Mr. Petrie used a wooden paddle in those days and smacked out six hard “Get Rights”. Otha did not scream out. Otha did not cry a single tear. As he left the Office, Otha came across the hall and found me staring one-eyed at the opened Nurse’s door, and put a fist against his eye. Mr. Petrie saw him and meted out three more “Get Rights”.

It would take three weeks, but Otha and his brothers came for me. They waited in the alley of the street a block ahead of my home street. It was a long way from school and the watchful eye of the older kids who were Crossing Guards and broke up the afterschool fights. I hadn’t forgotten Otha’s threat and I could tell that he hadn’t forgotten those two big boy punches. My little brother was a grade below me, so I picked him up in his classroom at the end of school and we walked home. When Otha and his three brothers came out of the shadows I saw them notice that I was not alone. I told my brother to go ahead and wait for me at the stop sign, but he took a few steps and turned back saying, “Mom said don’t cross the street by myself. Come on, Junior”. Otha laughed and started bouncing on the balls of his feet in front of me.

Other kids stopped and formed a raggedy fight circle when Otha made his move. They watched his brothers move into place, but the remaining brother turned back into the alley. My brother was blocked from view with the closing crowd, but Otha’s brothers didn’t seem interested in hurting him. I dropped my book bag to my side by the strap and picked the brother to hit with a swing, then waited for Otha’s rambling hype-up to end and him to charge with a punch. It never came. Otha’s, “Yeah..Yea..Yeah” was interrupted by the circle of kids breaking open and his other brother pushing a small kid in front of him wearing a feather laced headdress. The kid was probably my brother’s age, but I had never seen him before with Otha. The crowd moved further aside as the kid stumbled forward, lost his balance and was caught by the older boy from behind. As the kid reached up to grab his headdress a blue feather dislodged and floated on the air. It landed on my shoe.

Without thinking about Otha and the other boys taking advantage, I reached and plucked the blue feather off my shoe and stepped over to the young boy. He had already begun to stretch his face into the start of a cry. “Its’ okay little man. I got it for you”, I said and put the blue feather back inside his headdress. The older boy stared at me for a moment, still holding the smaller boy who suddenly said, “Thank you”, then, “Look at my Indian hat, Bobby”. I looked at the older boy and watched him locking eyes with his brothers. He lifted his little brother into his arms and said, “He’ll stop if you hit him once next time”, then turned and walked back toward the alley again. The other boys and Otha followed without another word.

As the kids turned out the fight circle I saw my brother again. He had been standing off to my blind side and saw the feather part, but missed the three boys with balled fists and bad intentions. “Why did you give him that feather back? You got scared of fighting that big boy…didn’t you?, he said and mocked me putting the feather in place. “You a scaredy cat but you fight me all the time”. We made it to the STOP sign and waited for a clear crossing.

I pushed the window closed in our bedroom and was adjusting the curtain when my wife said, “Why’d you throw the baby name book out the window?” I didn’t turn around before answering. I just slid on my shoes and said that it slipped out of my hand when I was trying to close the window and I would be right back.

Jas Mardis: Hand and Laser Exhibition

May 2021 I return to the display case of the Main Lewisville Library. I’m displaying laser enhanced designs and hand pyrography items with small quilts and the new wood hangers and candleholders. The laser engraving machine is part of the Library’s HIVE MAKERS SPACE. I was introduced to the progressive creative space during my 2019 Library case exhibition and enjoy the knowledge and skills of the HIVE staffers.

Jas Mardis: Hand & Laser Pyrography and Portraits runs May 1-29, 2021. Mask up and see the work, then tour THE HIVE. #LPLthehive Tell them I sent you!

Explain

I’ve worked on this for about a month to get the right balance of fabric and swathes to tell the story of the song. “Sometimes I Feel Like A Motherless Child”. I decided to have the image eating a slice of melon and allow pink, white and a tricycle fabric to represent her youth. The brown and orange, blues and green fabrics represent her carrying the feelings into her later years. As for the “mother” she’s represented in the thin, lime on the right and a flowery fabric at the top, beneath “a long, long way from home”. The hanger is 1.5” wide and I have a small block at the bottom of the quilt for balance.
http://jasmardis.com

“Sometimes I Feel Like A Motherless Child”

Please observe all Artists Rights

Exhibition alert

“My Suspicious Crown” original fabric, African print and leather pyrography on an heirloom table runner. Hanging art. From the “Just A Crown” series 2021
“A Child Sings, “Amazing Grace” 24”x36” giclee with original text by Artist
“Ol’ Catfish” original fabric design and leather pyrography portrait, quilted fabric art.

“Still Too Many Rivers” original fabric design, leather pyrography portrait and text with sari accent and quilting.

“My, I’m Not Even Listening, Crown” fabric art and leather pyrography with thread painting and quilting. Hanging Art.
“Still Too Many Rivers Ahead” original fabric design and leather pyrography portrait with fabric manipulation and quilting. Hanging Art.
“My”Child, Please” Crown Sculpture 16”x16” Hammered metal armature and original leather pyrography portrait with ochre African beading and leather strapping.
“The Gandy Dancers: Sang Dirty” fabric and triple leather pyrography portraits with hand-piecing quilting round.
“Sorrow’s Crown” leather pyrography portrait with vinyl accents under a spot light for effect. 8”x8” (show framed and matting)

“Girl Crowns” leather pyrography multiple image piece.
“Girl on the Porch” Leather Pyrography Portrait
“The Curious Boy” fabric with thread painting, ribbon painting, image manipulation and image printing with crochet elements and leather corners.
“The Man Who Knows All” Leather Pyrography Portrait
Migration
BigMama Crown

Cedars Union Art Equity Award

2021 begins with the Art Equity Award at The Cedars Union Art Incubator, Dallas, Texas. They have a Juki, everything Adobe and a wood shop, among other things. Looks like my first project is a cot in the corner🤔. I’m joined by fellow Artists, Phallon and Molly. 🎉

2021 begins with an award and Art Incubator at The Cedars Union-Dallas, Texas