Sharing, Like Its Going Out of Style

One year, when we were still a family living in the white frame house on Morrell Street in Dallas, Texas, we ate beans and rice or collard greens nearly every day. Later that year, while out for Christmas break, we got used to inviting some new kids in with us for dinner. Of course, we were used to the food by then, but it was the first time that I had heard and got a different understanding of the phrase, “Like they going out of style“.

There were five kids in our family and we dared not flinch when those words came across the sparse dinner table from my brother’s invited friend, a boy called “Meatball”. He was squat, dark-hued, round with a bushel of uncombed hair and gave off the suggested shape of a big, well, meat ball. His rather large family was new to a duplex further down the hill that was Morrell Street. Even in the colder months most of them spilled out onto the porch and yard during non-sleeping hours. Up and down that block all of our families were just making due, but even our construction-job injured Stepfather had encouraged us to invite and share with the kids whenever possible.

Meatball didn’t bother looking up from his fast moving spoon through a bowl of crumbled cornbread and black-eyed peas. Even though he had used the bathroom sink to clean up it was not hard to find patches of differing colored dirt streaking his scrawny, short sleeved arm and pointy elbow as he ate. We had already prayed, passed the cornbread and Kool-Aid. Now, we waited on a spoon of steaming collard greens from a big, worn pot that sat at one end of the table when he blurted up, “Ya’ll eat beans like they going out of style!”.

We just kept passing our plates from one person to the next and waited for them to return with a layered serving of meatless collard greens. Secretly, we all hoped for one of the bacon or salt jowl halves that seasoned the greens, but that succulent meat often landed on our Stepfather’s plate. Meatball did not pass his plate. He continued to feast on the certainty of his beans and dodged the long arms that reached, grabbed and ignored his sloppy chewing. With all the plates in place our Stepfather called to the little complainer, “Gimme yo’ plate, son“. A moment passed before my brother grabbed and handed off the boy’s crumb-littered plate. Meatball started chewing faster.

For the second time that day neither of us five flinched as Meatball’s plate of hot collards was passed back to him. Mixed into the feathery stack of greens were the two curling halves of thick sliced, red meat and water pearled bacon fat. Again, the pain mellowed bass of our Stepfather’s words wafted toward Meatball, “You reckon dat fatback might be in style, Meatboy?” His mispronunciation kicked a big laugh into the room and nearly everybody corrected him, “It’s MEAT BALL, Mr. Howard“. It was the first time since being injured and returning home from two months of traction in a hospital bed that he smiled big and laughed a full throated guffaw. The bacon slipped in and out of Meatball’s greasy lipped mouth and the room grew brighter with his  addictive and toothy grin.

It would be a few more months of beans and greens and visits from Meatball and others hoping for the fatback on their plates, but never from us five.  Big laughs came slowly back into the white house at 1423 Morrell after the “meat boy” meal. There was new job with less pain and risk of injury for our slow moving Mr. Howard. Around the same time there was Christmas and five thunderous, overflowing, cellophane covered fruit baskets with hard, awkward nuts and candy canes with a single wrapped present. It all got shared on our screened-in porch, along with other toys from up and down Morrell Street…and the echoing, baritone laughter from just inside the door.

Jas. C. Mardis is a Poet, Quilter and Storyteller. He is a 2014 Inductee into the Texas Literary Hall of Fame.

Photo credit:   Rosskam, Edwin, 1903-,  Farm Security Administration – Office of War Information Photograph Collection 1938

When It Rains on Morrell Street

If you’re standing on the corner at the top of the hill on Morrell Street, just across from the rail station and in front of the 82 year old Greater Mt. Pleasant Baptist Church, you should be saying a prayer for rain.

“Oh, LORD, open up your Heaven and bring down the sweet, drenching waters on me!” Pull your rain-ready hoodie down over your head and cowl your glasses. Be sure to hunch your shoulders so that the stepping raindrops walk your back with their rhythms and bounces and surrendering collapse into streams. “Oh, LORD”, as Blues Titan, Etta James warbled in “Willow weep for Me, “Why would you send”…, but this is not darkness.

When your childlike soul succumbs to the memory of rainfall and newness and surrender…let it. The LORD has sent rumbling thunder and there is humbling shaking under foot. “Bend your branches down along the ground and cover me”. This is Oak Cliff, Texas. These lanes are full of Oaks that obey wind and command, alike.

Now, peel back your cowl and see what The LORD has made. From the hill top look South toward F.D.Roosevelt High School, down and again back up another hill. Every place is fresh and broccoli stalk verdant! Give your eyes over to a rolling thunder of earthly beauty and extraordinary extravaganza. Heaven has come certainly upon the Earth in a single stretch of avenue. “Leave my heart a-breaking, and making a moan”, as Etta says within her song.

Depending on the day and hour you might hear the Church choir alluding to a hope. There is strength in the lead that holds stained glass cascades in their place during rhapsody. How else do we explain the weekly fastidious worship hour without injury, just resolve? Saints claiming victories and surrender with praise songs and wig-testing shouts! Those windows wreck the storming air with interludes of pulsing cacophony, “There’s a leak in this old building and my soul Has got to move”!

You are on Morrell Street and The LORD has brought rain to cleanse the Earth. It is always a Noah sanctioned, first rain! Behind you the train arrives with a horn that the Archangel Gabriel uses to secretly remind believers daily. You take another look…a glance…a wanton and hopeful moment back over the hills onto the land clouds of bubbling verdant Oak Cliff treetops . The thunder speaks hard. The windows hold fast. The ground accepts your weight as you settle onto your heels.

It is raining on Morrell Street. GOD is cleansing the Earth. This is where HE begins.

Jas Mardis. All rights reserved 2024

MARDIS The Human Book

Literally— Come Check ME Out — Saturday, September 10, 2022
My “Human-Book” is titled: “Grasshopper Pie”.
How it works: Learn More about this program: click the graphic

The Dallas Public Library invites you to check out a person instead of a book!

Welcome to the library of people! Instead of borrowing a book, indulge in the experience of checking out a person. Challenge stereotypes and prejudices through dialogue.

The Human Library allows people to come together in an informal, one on one setting, to have comfortable dialogue about often uncomfortable topics. Our human books are drawn from fascinating members of our communities who have fascinating stories that you MUST hear.

How it works: Come in during the hours of 10 a.m. and 12:30 p.m. and spend 20 minutes reading the following “books” (to be announced). Have a conversation, ask questions, stay open and learn.

The goal is to publish people as open books and to challenge stereotypes and prejudices through dialogue.

Learn more and register via the Dallas Public Library’s website here. This program is made possible thanks to the generous support of the Friends of the Dallas Public Library.

HOME Exhibition Opens

KODAK Digital Still Camera

Love Field Airport has featured me for the second 2020 exhibition: Jas MARDIS:HOME for the month of June. The highlight of this exhibition is a fabric and leather piece from the series, Mothers & Sons: “Sons of Her Thunder” subtitle: “Not Another Boy Harmed!”. Select pieces from my “Just A Crown” series on pedestals and two leather burned portraits on new stands complete the display.

Dallas Love Field Airport featuring Jas Mardis: HOME

“Sons of Her Thunder” uses a leather drawn image and a printed image on cloth with the backdrop of an andinkra symbol for energy. John and James, “The Sons of Thunder” from Luke 9:54 who asked Jesus of their enemies, “Lord, do you want us to tell fire to come down from heaven and consume them?” In Matthew 20:20 their Mother famously asks Jesus if her sons could sit in an exalted place in Heaven. In consideration of the current climate I offered a twist on a Mother’s response. “Rain Thunder, Lord, on those who would harm my sons! Bring them home to sit beside me!”